The Web is revolutionizing book publishing,
buying.
Burke Campbell
The Ottawa Citizen
Tuesday 4 July 2000
Your summer vacation is fast approaching and you've made a
list of must-have books. The new Titles bookstore on Bank Street promises a
quick shopping experience so, using one of their voice-interactive information
kiosks, you quickly identify the latest Margaret Atwood novel, preview the
sampler pages, check the online critical reviews, even confirm the novel's
success on the bestseller list. It's hot, all right, so you click the book into
your shopping basket.
For your history buff friend with the sloop, you search the
archives for the location of shipwrecks in the St. Lawrence. Settling down with
a coffee and your Palm Pilot in an easy chair, you call up an index of
navigational charts and zoom in on some detail areas you want to assemble into a
portfolio.
After browsing and selecting the remaining items on your
list, you press the Buy button. Only Atwood is in stock. You must dash but you
want everything now, so you select the Buy-n-Publish button on your handheld.
Once you specify mode of payment and your account, in a few minutes, you pick up
all your treasures, the freshly published books bound with personalized glossy
covers and the customized detail charts. You leave the store secure in the
knowledge that you have paid not only the storekeeper but for any and all
copyrights to author, literary agent, and publisher.
This book buying experience may not be far off. New
technologies are changing the way books are both made and sold. The invention of
moveable type 560 years ago led to the creation of the Gutenberg Bible and
triggered a publishing revolution.
Last May, about 400,000 members of the media and print
industry converged on Dusseldorf, Germany, to attend DRUPA, a massive trade fair
showcasing the latest digital presses, part of the next publishing revolution.
Here's why: The market trend in publishing is moving away
from mass production and the stockpiling of books to customized, limited print
runs for a particular audience and demand.
Traditional offset presses, which use metal or plastic
plates to imprint ink on paper have been cost-effective for high-speed,
high-volume production.
Digital presses, which apply ink directly to paper, are
more efficient for small runs (up to 500 volumes). They don't require the setup
of plates, or the change of plates for updates and late, minor corrections
called "errata." Digital presses print fast, in monochrome or dazzling
colour, and easily process any content that needs frequent updating.
Print-on-demand eliminates warehousing costs
At
DRUPA, pioneering Xerox Corp. turned an empty warehouse
into a bustling showcase of print-on-demand technology. Xerox demonstrated its
Book Factory, which loads an electronic file, then prints and binds a book of
say, 200 pages, in about one minute. Linked to such equipment, a novelist can
e-mail his manuscript to press, punch a button, and watch as just the right
number of volumes pop out "hot off the press" to supply demand.
Large offset print runs automatically mean surplus and the
need for warehouse storage, adding to costs. "Depending on the particular
publishing discipline, 20 to 50 per cent of the books manufactured in the last
10 years, are still in a warehouse," estimates Peter Perine, a Xerox Corp.
vice-president and general manager of publishing for the graphic arts industry.
Fearful of such waste, publishers shy away from new writers.
Authorlink
(www.authorlink.com) is in the vanguard of
companies using technology for innovative publishing. Primarily a cyber-hub,
Authorlink brings together writers, publishers, and literary agents. Authorlink
Press utilizes digital presses to publish books. Once in print, the authors are
marketed, with Authorlink on hand to connect them to larger publishers.
From her office in Irving, Texas, Doris Booth, the
company's editor-in-chief, observes that, "Electronic printing lowers
upfront costs for publishers and so encourages them to publish more titles. The
writer has a greater opportunity than ever before to become legitimately
published."
Technology dictates emerging business practices and models
Print-on-demand technology is having an impact on
publication rights as well.
"Traditionally," says Dean Cooke, president of
Livingston/Cooke Literary Agency of Toronto, "the author retained copyright
of his work, while the publisher merely licensed it for publication. The
publisher retained the licence as long as the book was in print, that is,
available off the shelves or from storage. Today, since books stored
electronically can be published at any time, it's more difficult to determine
when a book is 'out of print.'" Now writers, publishers, and agents seek
agreements to define at what point a publisher might forfeit licence over
copyright.
Preserving copyright and credibility
Digital documents become increasingly hard to track for
source, authenticity, and copyright ownership of the literary work.
Figures by StatsCan put book sales in Canada at $1.5
billion and periodicals at $1.4 billion. Theft or abuse of intellectual rights
and property could cost the industry dearly. That's where ContentGuard comes in.
Xerox
PARC, the corporation's famed research lab, developed
the copyright technologies and spun off ContentGuard Inc. Supported by
Microsoft, the suite of ContentGuard software products deploys rights
management, no matter where a document travels. Users locate a document and
immediately see who has what rights and authority in copying, printing,
presenting, or quoting from it.
Print-on-demand complements in-store services
Dennis
Zook, CEO and president of Pegasus Wholesale, Inc.,
a book and media wholesaler 82-per-cent owned by the Chapters bookstore chain,
confirms that the Brampton, Ont., firm is investigating print-on-demand
capabilities with specialists in the industry. Chapters Online is responsible
for the in-store kiosks, which now operate in Chapters bookstores, and from
which shoppers can order out-of-stock books for home delivery.
Martha Cass, director of public relations, says Chapters
Online is exploring how customers at the kiosk might arrange to have such books
printed on demand.
Screen versus page
Many new technologies will link up and complement the new
bookstore and reading in general. Microsoft's Reader software displays text and
image on screen in resolution and contrast rivaling the printed page.
Operating on a wireless Casio's Cassiopeia, Compaq's iPAQ
or Hewlett-Packard's Jornada, Microsoft's Reader permits easy viewing, even on
the go.
As screen quality improves, we might expect increased
acceptance would mean abandoning paper print altogether. However, our
consumption of information continues to soar, so we'll see more of both screen
and paper formats.
"The growth of new works for publishing exceeds the
rate at which we are redirecting hard copy publishing to the digital media, such
as Web viewing, Rocket eBooks, and CDs," says Peter Perine of Xerox.
"As a result, both digital and offset publishing will continue to
grow."
Technologies link up for new retail environment
As technologies integrate, shoppers-in-transit easily link
up with retail outlets. Online retailer Indigo.ca offers a wireless shopping
service in collaboration with the Bank of Montreal, 724 Solutions, and Bell
Mobility. Customers can access Indigo.ca through the wireless service called
Veev, available on Bell Mobility "dot-com" ready mobile phones. Just
call up a menu to order from a list of books, and have the book shipped
anywhere. When wireless works in tandem with print-on-demand, you'll be able to
order your book to be custom bound and delivered.
New markets drive publishers, retailers to invest in
print-on-demand
The Internet, combined with print-on-demand, is fostering
new markets for used books or books out of print. So notes Roberta Barens,
vice-president, trade sales, at Stoddart Publishing Company Ltd. in Toronto.
In turn, publishers are exploring print-on-demand as a way
to keep books in print. Owned and operated
In Victoria, B.C., www.abe.com or www.abebooks.com provides
more than 5,900 member booksellers with the online capability of selling books
rare, used, and out-of-print. With a database of more than 17 million books by
title, condition and availability, abebooks.com offers advanced search and
e-commerce facilities for booklovers.
Further, the American chain of Barnes and Nobles provides a
search mechanism to find out-of-print books at www.barnesandnobles.com .
Self-publishing
For those who wish to circumvent traditional publishers,
new online businesses are providing options. For example, in Canada, Trafford
Publishing (www.trafford.com), headquartered in Victoria, B.C., offers services
to writers seeking self-publication. These include print-on-demand, editing,
layout, artwork and marketing.
New technologies including digital presses, wireless
devices, and high resolution screens are coming together to change our notions
of the traditional retail environment.
Rich Gold, manager of research in Experimental Documents at
Xerox PARC, observes that the Web is itself a "giant reading machine."
In the next few years, the Web may very well hold every
book ever written, making it possible to print them on demand.
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